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Drive My Car and the other best Japanese movies of recent years

The two actors stand on opposite sides of a car

With Bong Joon-Hos Parasite Breaking the long-held barricades between Hollywood and international films with his Best Picture Oscar win, international cinema has become a well-deserved sprawl around the world, confirming that subtitles are nothing but the self-limitations we impose on ourselves. If anything good has happened during the pandemic, it’s an event that raises awareness of global content, with Netflix reports that 97% of US subscribers viewed non-English content.

The recent popularity of another international film, the Japanese film drive my car (winner of the Oscar for best international film), confirms that claim. Director Ryusuke Hamaguchi’s story of self-discovery is a didactic work of art; this adaptation of Haruki Murakami’s short story is a meditative, slow and beautiful film, enhanced by the captivating performances of the protagonists.

The veracity of the urban buzzing lifestyle, the sincerity of characters, the magic of loneliness, and man’s connection to the world are some of the many subtle and beautiful things the creators have incorporated into it. drive my car† The film takes ample time to acclimate audiences to the film’s withdrawn tone and theme, and strictly avoids monotony by unraveling the characters’ conflicts in a patient but complicated manner. The film is an in-depth study of psychological vulnerability, desires, morality, revelation and more.

Movies that leave a lasting impression like drive my car will leave you in a voracious state of craving for more. Fortunately, the Japanese film industry continues to be a major contributor to great cinema and has released a variety of masterpieces in recent years. So here’s a list of the best Japanese movies of the past seven years, similar to drive my carto quench your thirst for meditative cinema.

5 shoplifters

shoplifters, Hirokazu Koreeda’s Palme d’Or award-winning masterpiece is one of the greatest films of the past decade, Japanese or not. Strengthened by spotless human emotions, shoplifters sublimely encapsulating the synthesized evolution of human behavior through an unconventional lower-middle-class Japanese family that strives to be remarkably elusive in the society in which they are engulfed. The film rewrites the foundations of human survival in a mind-boggling way.

Related: Akira Kurosawa The Best Movie Of His Middle Period

Hirokazu Koreeda is one of the greatest authors of modern cinema, with an infectious body of work including: Nobody knows and Still walkingHirokazu Koreeda has a strong foothold in modern cinema and deserves to carry the light lit by Japanese film giant Akira Kurosawa. shoplifters is perhaps his greatest masterpiece.

4 Wheel of Fortune and Fantasy

This three-part anthology film (from the same director of drive my car), is an exploration of loneliness by three disparate individuals: a middle-aged woman, a college student, and an ambitious model of various ages and traits who stumble and succumb to the encounters and problems of their respective lives. The Wheel of Fortune & Fantasy is an intense deep dive into the inner conflict of various hermits, and a look at emotions that are suppressed and camouflaged under social pressure.


3 A whisker away

A whisker away is a luminous anime movie that is less pensive and cuter; The movie’s cuteness quotient brightens up your cheeks and forces a blush on your face. It tells the story of Miyo, a girl who is in love with Hinode (her peer), but Hinode never reciprocates her feelings, so she decides to transform into a cute little fluffy cat in an impromptu way to be closer to him and the warmth to feel. of Hinode’s company. Her little naive obsession with Hinode is a resonant representation of the need for companionship; the great anime movie triumphs in showing the desperation for human interaction and the ways humans will change to accommodate love.

Related: ODDTAXI: Anime Meets Tarantino And Scorsese In The Japanese Sensation

2 Happy Hour

Hamaguchi’s Breakthrough Movie, Happy Hour, does what movies around the world are slowly running away from: it tells the compelling story of a group of women over the course of five and a half hours. Of Happy Hour, Hamaguchi breaks the principle of predetermined protagonists and invites the audience to start from scratch and drop them into his world. Watching the film feels like participating in the complex dissection of speculated characters, with respective arcs stretching in different directions, but all based on the commonality of human drama. The women of the film were played by non-actors, who together won Best Actor at the Locarno Film Festival, and they do an amazing job.


1 Red pole in the Escherstraat

Red pole in the Escherstraat by the great (and often highly controversial film) director Sion Sono, carefully observes the emotional transformation of characters rather than relying on plot, as drive my car† Also, the film’s long duration allows it to visually capture the trials, hard work, trepidation, consequences, complications, and other troubles of filmmakers. It’s a film that glorifies the craftsmanship and hard work of crews and cast members who often go unmentioned in cinema, and is a beautiful love letter to film oneself.



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